INDIGOFERA TINCTORIA

 

Pink-flowered true indigo plant, Indigofera Tinctoria. Handcoloured copperplate engraving of a botanical illustration by J. Schaly from G. T. Wilhelm's "Unterhaltungen aus der Naturschischte" (Encyclopedia of Natural History). Vienna, 1817. 

 

 

INDIGO

The plant Indigofera Tinctoria grows in abundance in Southeast Asia and the Indian subcontinent, it is a different species from Persicaria Tinctoria or Japanese and Chinese Indigo which grows in East Asia and Eastern Europe. For millennia the indigo plant has been used to create the most brilliant natural blue dye that was traded, like money. It can be said that dye even predates our modern currency whether as indigo dye bricks or as indigo fabric lengths.  In Thailand, in the province of Sakon Nakhon in the Isan region or Northeast of the country, Indigofera Tinctoria grows in abundance with Sakon Nakhon Indigo protected as a Geographical Indication.  

The leaves and stalks of the Indigofera Tinctoria plant goes through a process that transforms it from a plant to a living, breathing natural blue dye.

 

FROM PLANT TO DYE

For the leaves of the indigo plant to become a dye, a method that has been passed on for generations is used. The leaves are soaked overnight in water with red lime (clay), the alkaline in the lime bringing out the indigo colour in the water. After 24 hours, the surface of the water will reveal a copper colour, the leaves are removed and thereafter the indigo is "beaten", imagine beating Matcha, the colour is beaten out of the liquid, revealing a blue colour. The blue liquid is then left for another 24 hours to settle, thereafter  it is strained through a muslin cloth leaving a thick indigo paste. For the paste to become a dye, it then goes through a fermentation process where water, clay, alcohol and fruits are added to it to create a liquid dye, thriving on the right balance of acid and alkalinity. 

 

 

DYEING

Indigo is a natural breathing dye, it needs a balance of acid and alkalinity with an ideal pH level of 10.5 - 11.5 and temperature of  between 68-90°F (20-32°C) . It needs to be fed for it to ferment, we use tamarind (the juice squeezed out from the fruit), red lime and rum for our vat here in Bangkok, for our Bushwick vat, we use apple cider (from the store), pickling lime and vodka (leftover from a dinner party). After the vat is used, it needs to to rest and soak up the nutrients, to ferment and be fresh the next day.  A healthy vat has a layer of blue foam on top that is shimmery and beautiful.  

 

PROCESS

Natural indigo binds to natural fibres (does not penetrate it but creates a coat). To dye indigo, first soak the fabric to open up the fibre, wring out water. Dip into indigo vat and gently massage indigo into it. Wring out excess indigo in the vat. When the fabric comes out of the vat, it will be green, the moment that it breathes air it will oxidise and turn blue. Let hang dry for a few minutes. For a darker shade, repeat this process before washing. The indigo-dyed fabric must go through a few washes till the water runs clear. 

 

NATURAL PROPERTIES OF INDIGO

Natural indigo is anti-bacterial and anti-microbial, the way that it binds and reacts to the fabric creates a shield which is also able to block out bacteria and microbes naturally. It also has natural UV-protection. Additionally, many think that indigo is cooling, this might be because the UV protection as well as the colour being cooling and calming. 

 

INDIGO GRANDMAS

The Indigo Grandmas of Sakon Nakhon are the grandmas and aunties we met during our journey to Sakon Nakhon. These ladies pass on the knowledge of indigo. Today, it is not only the grandmas who dye and weave indigo textiles but a whole new generation of dyers who believe in preserving this ancient craft.

In Sakon Nakhon, like much of Isan, the men farm the rice paddies and the women weave, unless it is harvesting season when everyone is out in the fields. The last 2 decades has seen indigo dyeing, cotton and silk weaving evolve beyond a cottage industry, today, the grandmas also function as the guardians of this art, they pass on, they teach and what we have discovered is that it is an exchange, as they teach us, the conversation also looks to exploring new methods and new ways to embark upon the indigo journey.  Hand-woven Sakon Nakhon indigo dyed cotton is now protected as a Geographical Indication and there are many stories to tell. We've since been introduced to an indigo family that includes first generation dyer Mann who helped us to start our first vat, himself being the creator of a spectrums of 56 shades of indigo.